No post tonight as taking an evening’s break from writing, though there is music playing in the background as I type. I’m tired and am going in to work early tomorrow morning so I am going to do something really unusual and get to bed early. Seeing as I can’t think of anything else of interest to write about tonight, I will draw the attention of UK based readers to the forthcoming tour by Jason Kahn, who will be in the UK for more than two weeks in February, and will be playing no fewer than ten concerts in different cities about the place. Jason doesn’t visit these shores often, Continue reading →
Saturday 28th January
Friday 27th January
Now here’s a very good CD. Lasse-Marc Riek is a German musician / composer / sculptor of sounds, describe him as you will. he runs the Gruenrekorder label but this new solo album, titled Saison Concréte is released on the Russian Semper Florens label as an edition of 500 housed in a DVD sized box. Now, this composition, a single forty-four minute work is crafted from a collection of field recordings, some played straight and some processed. Amongst the material used are recordings of water, rain, wind, thunder, birdsong, in fact most of the list of predictable elements that usually have me screaming about how little originality there is in this area of music. Somehow though, and here lies the essence of something I am always at a loss to explain- these sounds are all twisted together, along with a number of other more original recordings, to make something that has far more energy and vitality about it than we normally hear in this kind of work. Continue reading →
Thursday 26th January Again
Just a few thoughts on today now that the annoyance of the ten hour listen going wrong has left me, and an evening of cooking and eating with the woman I love calmed me down and let me put it in perspective. Just to be clear on what happened- there is some issue with the files on the Wandelweiser CDs that mean that when transferred into iTunes, even though they begin with a different file name, the software somehow only manages to play the first part when you try and play the fourth. No matter what I did, the minute I clicked on Part IV, Part I opened and played. renaming the files didn’t help at all. It seems the only way I will get to hear the final part through my hi-fi is to burn the files, using a different programme to iTunes onto a series of CDs. I will do this soon. I am now just considering whether to listen only to the final part of attempt to do the full ten hours again from the beginning. I suspect I won’t do anything as dramatic, but its possible.
Whatever the end result today, I did hugely enjoy listening today. the time actually passed ridiculously quickly, Continue reading →
Thursday 26th January
9.30AM – So I have begun today’s John Cage – Empty Words marathon. For those that didn’t read my post last night, I am spending ten hours today with this piece of music, which indeed lasts ten hours. It is playing behind me while I type this. The music is a recent release on the Wandelweiser label and comes as four two and a half hour long Mp3 files stored on two CDs. To be able to listen to the music continually without a break, what I have done is ripped all of the files to my iMac, which is quite old now, and is only really used for design work, which I have hooked up via an Airport Express wi-fi link to my stereo. Continue reading →
Wednesday 25th January
A short review then of another recent release of the New Zealander, recently relocated to Sweden, Lee Noyes’ music. Originally a percussionist, recent discs I have heard have seen him work in various other ways, and this new release on his Ideal State label, a solo collection of three tracks named Xiàzhì sees him work with electronics of some kind. There is no indication on the sleeve of exactly what electronics are used here, but I suspect, listening to the sounds as carefully as I can, that a computer is involved, though there is actually very little here to listen to at all, and occasionally some raw feedback suggests otherwise. It doesn’t matter anyway. Continue reading →
Tuesday 24th January
Another free download tonight then, that is also available as a limited edition CDr from the Insubordintions netlabel should you wish for one. This recording in question is a four track album by a Swiss/German quartet made up of three laptop improvisers; D’Incise, Ludger Hennig and Sciss, the performance name of Hans Holger Rutz and the accordion of Jonas Kocher. I have listened to quite a lot of improvised music in my time, but I am quite sure that this is the first three laptops plus accordion quartet I have heard. The interesting arrangements of sound then, between the three digital sources and the acoustic accordion gives the music its first point of interest. Given that any of the computers could instantly swamp Kocher, Continue reading →
Monday 23rd January
Tonight, one of a few recordings I hop[e to write about this week that are available free of charge as downloads. I don’t write about music distributed in such a way anywhere near often enough, simply because I forget about such releases far too easily, but I made a point one evening last week of taking a few recent downloads and burning them to CDs so that the physical objects are there to remind me to listen to them. Having to do this is of course a quite silly thing to have to do in this day and age, but as senility begins to set in I need all the help i can get. I actually didn’t have to do this with tonight’s release anyway, as the musician responsible was kind enough to send me a CDr of the work in the first place. The recording though, named Overlapping Gestures by the American (I think Virginian) based cellist Gary Rouzer is available for free, via Bandcamp here. Continue reading →
Sunday 22nd January
No review tonight. I have written six consecutively again, so on the seventh day Richard rested. He also drove all of the way up to Cambridgeshire today, to see a friend, play with some dogs, buy a stack of books and listen to some music, so although he had a good time in excellent company, he’s a bit tired. Its been a good weekend, a complete break from work, which has been as tough as ever, but I’ve put in about ten hours of driving as well, so I am looking forward to bed. Reviews will appear again from tomorrow, and I hope I can manage to write five or six again. I am actually doing quite well with whittling down the stacks of stuff awaiting my attention for once, so I hope I can keep up this pace for a while.
I hope this coming week to try and write about some of the many freely downloadable pieces that have come to my attention in recent days. Continue reading →
Saturday 21st January
Julie and I went to the seaside today, pretty much on a whim, as we had the day to ourselves at relatively short notice. We had a good time, as we inevitably do. The British seaside town, in the cold of January, mostly closed down, is a wonderful place. We had a great, if a bit silly day. Sometimes acting like big kids is what you need when you’ve had a tough few weeks, and we acted like overgrown children more than once today. Good times were had, and we got home in time for me to spend some solid listening time with a CDr on the Copy for your Records label. Continue reading →
Friday 20th January
Well I am glad that week is over. Bit of a tiring one. Two days off now that I plan to spend driving about either in the company of, or off to visit nice people. Tonight though I have listened through three times to a new release on the Gruenrekorder label credited to a duo named Merzouga, who are Eva Pöpplein and Janko Hanushevsky. The album, titled Mekong Morning Glory is a blend of various field recordings made by the pair during a trip along the Mekong river in the countries of Laos, Cambodia and Vietnam in 2008 and electric bass parts played by Hanushevsky, with everything merged together at a later date. Continue reading →








